Chris DeLine

What is there that can be said to deflate the power of Lykke Li‘s “Get Some“? Since it first debuted last October there’s been little negative to come from her entire Wounded Rhymes release in general, but the lead single stands as something particularly unique from the album’s nine other tracks. Could it be the booming drum line that rumbles beneath the singer’s sultry croon? Perhaps it’s the ominous organ that leaves the track so alluring. Whatever the combination of factors, it doesn’t hurt that the entire album invites this sort of imagery each time it plays.

[This post was first published by Culture Bully.]